2.
Twelve Fallacies in Contemporary Adaptation Theory
by Leitch, Thomas M
Criticism (Detroit), 2003, Vol.45 (2), p.149-171
3.
Jim Welsh: In Appreciation of a Pioneer
by O'Connor, John E
Film & history, 2004, Vol.34 (1), p.12-15
5.
Henry V's decision: interrogative texts
by Griffin, C. W
Literature film quarterly, 1997, Vol.25 (2), p.99
6.
Celebrating Buster Keaton, 1993-2007
by Welsh, Jim
Journal of American culture (Malden, Mass.), 2008, Vol.31 (2), p.202-204
7.
Editorial: The Hero-Adventurer in the Land of Nam
by Whaley, Donald M
Literature film quarterly, 1992, Vol.20 (3), p.169-172
8.
F. Scott Fitzgerald and the problem of film adaptation: Document View
by Cunningham, Frank
Literature film quarterly, 2000, Vol.28 (3), p.187
9.
Misshapen chaos of well-seeming form: Baz Luhrmann's Romeo + Juliet: Document View
by Downing, Crystal
Literature film quarterly, 2000, Vol.28 (2), p.125
10.
Baz vs the Bardolaters; or, Why William Shakespeare's Romeo + Juliet deserves another look: Document View
by Hamilton, Lucy
Literature film quarterly, 2000, Vol.28 (2), p.118
11.
Reduced Shakespeare: Bard bits & Bard books: Document View
by Welsh, Jim
Literature film quarterly, 2000, Vol.28 (2), p.157
12.
The Effects of Primacy and Recency upon Audience Response to Five Film Versions of Shakespeare's Hamlet: Document View
by Lake, James H
Literature film quarterly, 2000, Vol.28 (2), p.112
13.
Mose Harper: eccentricity and survival in The Searchers: Document View
by Cole, David L
Literature film quarterly, 2000, Vol.28 (3), p.222
14.
Beyond adaptation: a comparative study of François Truffaut's La Chambre verte and Henry James's Rose-Agathe: Document View
by Bloom, Michelle E
Literature film quarterly, 2000, Vol.28 (3), p.180
15.
The effects of primacy and recency upon audience response to five film versions of Hamlet: Document View
by Lake, James H
Literature film quarterly, 2000, Vol.28 (2), p.112
16.
'It doesn't pay to antagonize the public': Sabotage and Hitchcock's audience: Document View
by Osteen, Mark
Literature film quarterly, 2000, Vol.28 (4), p.259
17.
'To sup with horrors': Julie Taymor's Senecan feast: Document View
by Welsh, Jim
Literature film quarterly, 2000, Vol.28 (2), p.155
18.
'Call me by my name': personal identity and possession in The English Patient: Document View
by Emery, Sharyn
Literature film quarterly, 2000, Vol.28 (3), p.210
19.
Authenticity and ethics in the film The Third Man: Document View
by Schwab, Ulrike
Literature film quarterly, 2000, Vol.28 (1), p.2
20.
When 'good' men turn bad: Mary Reilly as disturbing allegory of domestic abuse: Document View
by Foss, Chris
Literature film quarterly, 2000, Vol.28 (1), p.12
