1.
DECOLONIZING DOCUMENTARY ON-SCREEN AND OFF: SENSORY ETHNOGRAPHY AND THE AESTHETICS OF ACCOUNTABILITY
by Ginsburg, Faye
Film quarterly, 2018-10-01, Vol.72 (1), p.39-49
3.
Of Stars and Solitude: Two Mexican Documentaries
by Smith, Paul Julian
Film quarterly, 2017-10-01, Vol.71 (1), p.73-79
4.
Humanitarian Ethics and Documentary Politics
by Rangan, Pooja
Camera obscura (Durham, NC), 2018, Vol.33 (2), p.197-207
5.
The Language of Love: Swedish Sex Education in 1970s London
by Smith, Adrian
Film studies, 2018, Vol.18 (1), p.34-51
6.
Found-Footage Horror and the Frame's Undoing
by Sayad, Cecilia
Cinema journal, 2016-01-01, Vol.55 (2), p.43-66
7.
A THOUSAND SUNS: TRAVERSING THE ARCHIVE AND TRANSFORMING DOCUMENTARY IN MATI DIOP’S MILLE SOLEILS
by Williams, James S
Film quarterly, 2016-10-01, Vol.70 (1), p.85-95
8.
The Act of Remembering, the Xianchang of Recording: The Folk/Minjian Memory Project in China
by Zito, Angela
Film quarterly, 2015-09-01, Vol.69 (1), p.20-35
9.
OFF THE RECORD: REENACTMENT AND INTIMACY IN CASTING JONBENET
by Francis, Marc
Film quarterly, 2017-10-01, Vol.71 (1), p.32-41
10.
BALDWIN’S RENDEZVOUS WITH THE TWENTY-FIRST CENTURY: I AM NOT YOUR NEGRO
by Crichlow, Warren
Film quarterly, 2017-07-01, Vol.70 (4), p.9-22
11.
The Higher Mathematics of Flannery O'Connor: The Making of an American Master
by Bosco, Mark
Renascence, 2018, Vol.70 (1), p.79-86
12.
Puppet Love: Documenting Ventriloquism in Nina Conti's Her Master's Voice
by Kessler, Sarah
Camera obscura (Durham, NC), 2016, Vol.31 (2), p.61-91
13.
Performativity on the Margin: Pornography: The Musical (2003)
by Brylla, Catalin
Film studies, 2018, Vol.18 (1), p.70-83
14.
The Other Side of the Tracks: Nontheatrical Film History, Pre-Rebellion Watts, and "Felicia"
by Gordon, Marsha
Cinema journal, 2016-01-01, Vol.55 (2), p.1-24
16.
EDUARDO COUTINHO, SAVAGE LINGUIST OF BRAZILIAN DOCUMENTARY
by Lins, Consuelo
Film quarterly, 2016-04-01, Vol.69 (3), p.28-34
17.
Interview with Paromita Vohra: Remaking the “Political” in Social Documentary
by Kishore, Shweta
Camera obscura (Durham, NC), 2017, Vol.32 (1), p.167-177
18.
Expressing Duration with Digital Micromanipulations: Digital Experimental Documentaries of James Benning, Sharon Lockhart, and Thom Andersen
by Kim, Jihoon
Cinema journal, 2018-04-01, Vol.57 (3), p.101-125
19.
The Spring and the Reel: On Film and Revolution
by Chrostowska, S. D
Boundary 2, 2017-05, Vol.44 (2), p.95-125
20.
Small Effects from Big Causes: The Dialogic Documentary Practice of Natalie Bookchin
by Druick, Zoë
Camera obscura (Durham, NC), 2016, Vol.31 (2), p.1-25
