4.
Is Film Theory Queer Theory? Or, Everything I Know about Queerness I Learned at the Movies
by Geller, Theresa L
Camera obscura (Durham, NC), 2013, Vol.28 (3), p.159-167

7.
Beyond the Essayistic: Defining the Varied Modal Origins of Videographic Criticism
by Morton, Drew
Cinema journal, 2017, Vol.56 (4), p.130-136

8.
Feminism and the Big Picture: Conversations
by Gopal, Sangita
Cinema journal, 2018, Vol.57 (2), p.131-136

9.
Star Studies in Transition: Notes on Experimental Videographic Approaches to Film Performance
by Grant, Catherine
Cinema journal, 2017, Vol.56 (4), p.148-156

10.
Toward a Comparative Sociology of Valuation and Evaluation
by LAMONT, Michele
Annual review of sociology, 2012, Vol.38 (1), p.201-221

13.
Opening Up "[in]Transition's" Open Peer-Review Process
by Mittell, Jason
Cinema journal, 2017, Vol.56 (4), p.137-141

14.
The "Is" in "What Is Cinema?": On André Bazin and Stanley Cavell
by Hilsabeck, Burke
Cinema journal, 2016, Vol.55 (2), p.25-42

15.
To Critique Affect by Means of Affect
by Kooijman, J
Cinema journal, 2017, Vol.56 (4), p.146-148

17.
Sequential and Temporal Dynamics of Online Opinion
by Godes, David
Marketing science (Providence, R.I.), 2012, Vol.31 (3), p.448-473

18.
Roundtable: Remix and Videographic Criticism
by Scott, Suzanne
Cinema journal, 2017, Vol.56 (4), p.159-184

19.
Approaching the (Trans) National in Criticism of Early Latin American Sound Film
by Poppe, Nicolas
Cinema journal, 2014, Vol.54 (1), p.115-120

20.
Mapping Cult Cinema in Latin American Film Cultures
by Tierney, Dolores
Cinema journal, 2014, Vol.54 (1), p.129-135
