Filming and performing Renaissance history / ed. by Mark Thornton Burnett and Adrian Streete
| PPN (Catalogue-ID): | 64759210X |
| Nebentitel: |
Renaissance history |
| Personen: |
Burnett, Mark Thornton
[Hrsg]
Streete, Adrian |
| Format: |
 Book
|
| Enthält: | Introduction: documenting the Renaissance / Mark Thornton Burnett and Adrian Streete |
| Language: |
English |
| Published: |
Basingstoke [u.a.],
Palgrave Macmillan,
2011 |
| Edition: | 1. publ. |
| Basisklassifikation: |
17.90 24.29 24.37 15.34 18.05 |
| RVK: |
AP 52600: Allgemeines -- Medien- und Kommunikationswissenschaften, Kommunikationsdesign -- Film -- Spielfilm -- Historischer und biographischer Film |
| Subjects: |
Historical television programs (History and criticism) Historical films (History and criticism) History, Modern (16th century) History, Modern (17th century) |
| Formangabe: | Aufsatzsammlung |
| Notes: |
Formerly CIP Uk. - Includes bibliographical references and index |
| Physical Description: |
XIII, 212 S, Ill., 23 cm |
| Link: |
Inhaltsverzeichnis |
| ISBN: |
978-0-230-27343-6 0-230-27343-2 |
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| 245 | 1 | 0 | |a Filming and performing Renaissance history |c ed. by Mark Thornton Burnett and Adrian Streete |
| 246 | 3 | 3 | |a Renaissance history |
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| 264 | 1 | |a Basingstoke [u.a.] |b Palgrave Macmillan |c 2011 | |
| 300 | |a XIII, 212 S. |b Ill. |c 23 cm | ||
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| 500 | |a Formerly CIP Uk. - Includes bibliographical references and index | ||
| 501 | |a Introduction: documenting the Renaissance / Mark Thornton Burnett and Adrian Streete | ||
| 501 | |a The network king: recreating Henry VIII for a global television audience / Ramona Wray | ||
| 501 | |a Breaking Shakespeare's image in late Spanish drama and film / Jesús Tronch Pérez | ||
| 501 | |a The touch of man on woman: dramatizing identity in The return of Martin Guerre / John O'Brien | ||
| 501 | |a 'Welcome to Babylon': performing and screening the English revolution / Jerome de Groot | ||
| 501 | |a The cinematic treatment of early modern witch trials / James Sharpe | ||
| 501 | |a The golem, or the Communist 'what you will' / Martin Procházka | ||
| 501 | |a Horrible Shakespearean histories: performing the Renaissance with and for children / Kate Chedgzoy | ||
| 501 | |a Mark Rylance, Henry V and 'Original practices' at Shakespeare's Globe: history refashioned / Christie Carson | ||
| 501 | |a 'There is so much to see in Rome': the cinematic materialities of Martin Luther's Reformation / Conor Smyth | ||
| 501 | |a The pageant of history: staging the local past, 1905-39 / Michael Dobson | ||
| 501 | |a Private lives and public conflicts: the English Renaissance on Film, 1998-2010 / Andrew Higson | ||
| 501 | |a Epilogue: documentary reflections / Mark Thornton Burnett and Adrian Streete. | ||
| 520 | |a Introduction: documenting the Renaissance / Mark Thornton Burnett and Adrian Streete -- The network king: re-creating Henry VIII for a global television audience / Ramona Wray -- Breaking Shakespeare's image in late Spanish drama and film / Jesús Tronch Pérez -- The touch of man on woman: dramatizing identity in The return of Martin Guerre / John O'Brien -- 'Welcome to Babylon': performing and screening the English revolution / Jerome de Groot -- The cinematic treatment of early modern witch trials / James Sharpe -- The golem, or the Communist 'what you will' / Martin Procházka -- Horrible Shakespearean histories: performing the Renaissance for and with children / Kate Chedgzoy -- Mark Rylance, Henry V and 'Original practices' at Shakespeare's Globe: history refashioned / Christie Carson -- 'There is so much to see in Rome': materialities of Martin Luther's Reformation / Conor Smyth -- The pageant of history: staging the local past, 1905-39 / Michael Dobson -- Private lives and public conflicts: the English Renaissance on Film, 1998-2010 / Andrew Higson -- Epilogue: documentary reflections / Mark Thornton Burnett and Adrian Streete | ||
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